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๐“๐ก๐ž ๐€๐ฌ๐ก๐จ๐ฎ๐ซ๐š ๐’๐š๐ซ๐š๐›

๐“๐ก๐ž ๐€๐ฌ๐ก๐จ๐ฎ๐ซ๐š ๐’๐š๐ซ๐š๐›

  • Number 1906

  • Origin Sarab

  • Material Camel Hair

  • Style Prayer Rug

  • Type Tribal

  • Size 379 x 167

  • Age 1317 (1899)

Story

A unique tribal Sarab carpet woven with plush camel hair, combining geometric abstraction with rich Persian symbolism. The upper border carries an important inscription:

ู…ุญุฑู‘ู… ุงู„ุญุฑุงู… ุณู†ุฉ ูกูฃูกูง

๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฐ๐˜ญ๐˜บ ๐˜”๐˜ฐ๐˜ฏ๐˜ต๐˜ฉ ๐˜–๐˜ง ๐˜”๐˜ฐ๐˜ฉ๐˜ข๐˜ณ๐˜ณ๐˜ข๐˜ฎ ๐˜๐˜ฏ ๐˜›๐˜ฉ๐˜ฆ ๐˜ ๐˜ฆ๐˜ข๐˜ณ 1317

Nomadic Sarab rugs are almost never signed nor dated. Why would one be inscribed in this manner? The key rests in the month of Moharram, which is when the 10 days of the battle of Karbala took place in the year 61 of the Hijra (683 AD). Ashoura, the religious commemoration of the killing of the Prophet's grandson, Imam Hossein, remains arguably the single most important event in the Shia calendar. During these 10 days, and until today, people would gather in mosques or ๐˜๐˜ฐ๐˜ด๐˜ด๐˜ฆ๐˜ช๐˜ฏ๐˜ช๐˜บ๐˜ขs to recite the tragic stories of that battle. As such, the month of Moharram carries significant socio-cultural connotations and its mentioning on a carpet indicates that it was commissioned for either a mosque or more likely a ๐˜๐˜ฐ๐˜ด๐˜ด๐˜ฆ๐˜ช๐˜ฏ๐˜ช๐˜บ๐˜ข on this holy occasion.

As such we have here not only a very beautiful antique artifact, but also a very gripping artwork of massive ethnographic and religious value.

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I first met Dr. Maktabi as a lecturer on carpet history and was captivated by his passion for the subject. Only later I knew him as a dealer, though even in our financial transactions, Hadi has been a gentle guide and friend. He has understood my taste and interests and made wonderful suggestions, but never in a pushy way. That is to say I have enjoyed working with him on several levels and wish to continue our excellent relations and dealings far into the future. A. Harvey Pincis, formerly Dar Al Athar Al Islamiyyah Museum (Kuwait), Latvia ๐Ÿ‡ฑ๐Ÿ‡ป

 

 

Jโ€™ai fait la connaissance de Hadi lors de la prรฉparation de lโ€™exposition ยซ Lโ€™Empire des roses, chefs-dโ€™ล“uvre de lโ€™art persan du 19รจme siรจcle ยป qui a eu lieu au Louvre-Lens en 2018 et ร  laquelle il a participรฉ par le prรชt de tapis exceptionnels. Jโ€™avais alors รฉtรฉ impressionnรฉe par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marquรฉ le dรฉbut dโ€™une collaboration riche et fructueuse. Elle a notamment permis au musรฉe du quai Branly-Jacques Chirac de voir ses collections iraniennes sโ€™enrichir de plusieurs tapis et tentures dont certains nโ€™ont pas leur รฉquivalent dans les musรฉes occidentaux. Ce que jโ€™apprรฉcie chez Hadi ? Cโ€™est son professionnalisme, son dynamisme et lโ€™engouement quโ€™il a pour son mรฉtier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France ๐Ÿ‡ซ๐Ÿ‡ท

 

Hadi Maktabi and his staff provide comprehensive and thoughtful services to collectors and textile buyers worldwide. His knowledge of antique oriental rugs and textiles, including many fine offerings from the Levant, is unsurpassed. We have been loyal customers for over five years and have visited his Beirut premises. He has worked with us upon several occasions to select the exact Ottoman and Levantine pieces we wanted for our collection. You can be sure of quality and honesty when dealing with Hadi. Penelope and Timothy Hays, Just In From The East Collection, Florida ๐Ÿ‡บ๐Ÿ‡ธ

 

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