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𝐖𝐨𝐫π₯𝐝'𝐬 𝐎π₯𝐝𝐞𝐬𝐭 𝐁𝐚𝐀𝐑𝐬𝐑𝐚𝐲𝐞𝐬𝐑

𝐖𝐨𝐫π₯𝐝'𝐬 𝐎π₯𝐝𝐞𝐬𝐭 𝐁𝐚𝐀𝐑𝐬𝐑𝐚𝐲𝐞𝐬𝐑

  • Number 1683

  • Type Village

  • Material Wool

  • Style Medallion

  • Origin Bakhshayesh

  • Size 1833 (1250)

  • Age 210 x 134

Story

Mamma mia.
Let's start with the 𝘀𝘰𝘢𝘱 π˜₯𝘦 𝘨𝘳𝘒𝘀𝘦: the Hijri date 1250 (1833) inscribed at the top right corner of the border. Speaking of which: what manner of insane folk artistry could create such an ornate and refined Nastaliq poetry all within the narrow confines of such a border? Calligraphic art at its best, but created with knots and not with a pen.

This is museum quality 𝘱𝘒𝘳 𝘦𝘹𝘀𝘦𝘭𝘭𝘦𝘯𝘀𝘦. The plain 𝘬𝘒𝘧 𝘴𝘒π˜₯𝘦𝘩 blood 🩸 red field is amply complimented by the midnight blue indigo spandrels and the parchment creme in the border cartouches. Sublime weaving quality and high knot count for a Queen B.

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The idea of purchasing valuable rugs and other artwork online from an overseas seller is daunting for several reasons, not least of which is the fact that, not being able to examine and feel the rug for yourself, you are never entirely certain that the origin, age or condition of the rug corresponds with the dealer’s description. For me, I could never take this step unless I had absolute trust in the integrity of the dealer, and my recent experience with Hadi confirms that my faith in him was well placed. Every detail of the antique rug expertly explained by Hadi was accurate and when I finally received the actual rug, it turned out to be even more stunning than his photos depicted. F. Alsagoff, Singapore

 

 

J’ai fait la connaissance de Hadi lors de la prΓ©paration de l’exposition Β« L’Empire des roses, chefs-d’œuvre de l’art persan du 19Γ¨me siΓ¨cle Β» qui a eu lieu au Louvre-Lens en 2018 et Γ  laquelle il a participΓ© par le prΓͺt de tapis exceptionnels. J’avais alors Γ©tΓ© impressionnΓ©e par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marquΓ© le dΓ©but d’une collaboration riche et fructueuse. Elle a notamment permis au musΓ©e du quai Branly-Jacques Chirac de voir ses collections iraniennes s’enrichir de plusieurs tapis et tentures dont certains n’ont pas leur Γ©quivalent dans les musΓ©es occidentaux. Ce que j’apprΓ©cie chez Hadi ? C’est son professionnalisme, son dynamisme et l’engouement qu’il a pour son mΓ©tier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France πŸ‡«πŸ‡·

 

You can't only be a customer of Hadi Maktabi. While his main purpose is rug dealing, he starts with story telling and ends with history selling. That's what I call high-end art curating and closing it all with an entertaining friendship. George El Hani, CEO Levica, Lebanon πŸ‡±πŸ‡§

 

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