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𝐖𝐨𝐫π₯𝐝'𝐬 𝐎π₯𝐝𝐞𝐬𝐭 𝐁𝐚𝐀𝐑𝐬𝐑𝐚𝐲𝐞𝐬𝐑

𝐖𝐨𝐫π₯𝐝'𝐬 𝐎π₯𝐝𝐞𝐬𝐭 𝐁𝐚𝐀𝐑𝐬𝐑𝐚𝐲𝐞𝐬𝐑

  • Number 1683

  • Type Village

  • Material Wool

  • Style Medallion

  • Origin Bakhshayesh

  • Size 1833 (1250)

  • Age 210 x 134

Story

Mamma mia.
Let's start with the 𝘀𝘰𝘢𝘱 π˜₯𝘦 𝘨𝘳𝘒𝘀𝘦: the Hijri date 1250 (1833) inscribed at the top right corner of the border. Speaking of which: what manner of insane folk artistry could create such an ornate and refined Nastaliq poetry all within the narrow confines of such a border? Calligraphic art at its best, but created with knots and not with a pen.

This is museum quality 𝘱𝘒𝘳 𝘦𝘹𝘀𝘦𝘭𝘭𝘦𝘯𝘀𝘦. The plain 𝘬𝘒𝘧 𝘴𝘒π˜₯𝘦𝘩 blood 🩸 red field is amply complimented by the midnight blue indigo spandrels and the parchment creme in the border cartouches. Sublime weaving quality and high knot count for a Queen B.

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I must say this one of the most enriching carpet purchase experiences I ever had. This was not a mere transaction but more an experience about art and history. Dr Maktabi's experience and knowledge in this space is second to none. Highly recommended! R.A., Doha, Qatar

 

 

Acquiring a piece from my dear friend Hadi is truly a journey. We start that journey with a lesson and detailed background on any piece that is of interest. After a thorough discussion regarding the chosen piece or should I say marvel, since Hadi's pieces are truly marvels, Hadi guides us into why he would advise us to acquire it or go for another of his marvels that would suit us more than the one initially chosen. This sincere advice always makes us feel that we are generously taken care of by Hadi. The learning process and honesty in guidance make us go back only to Hadi whenever we are looking for our next beautiful piece for our homes. All I can say is thank you Hadi for your impeccable guidance and service. Abdullah Al-Awadhi, Kuwait πŸ‡°πŸ‡Ό

 

J’ai fait la connaissance de Hadi lors de la prΓ©paration de l’exposition Β« L’Empire des roses, chefs-d’œuvre de l’art persan du 19Γ¨me siΓ¨cle Β» qui a eu lieu au Louvre-Lens en 2018 et Γ  laquelle il a participΓ© par le prΓͺt de tapis exceptionnels. J’avais alors Γ©tΓ© impressionnΓ©e par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marquΓ© le dΓ©but d’une collaboration riche et fructueuse. Elle a notamment permis au musΓ©e du quai Branly-Jacques Chirac de voir ses collections iraniennes s’enrichir de plusieurs tapis et tentures dont certains n’ont pas leur Γ©quivalent dans les musΓ©es occidentaux. Ce que j’apprΓ©cie chez Hadi ? C’est son professionnalisme, son dynamisme et l’engouement qu’il a pour son mΓ©tier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France πŸ‡«πŸ‡·

 

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