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๐ƒ๐Ž๐”๐๐‹๐„ ๐’๐ˆ๐†๐๐€๐“๐”๐‘๐„ ๐ƒ๐€๐๐ˆ๐‘

๐ƒ๐Ž๐”๐๐‹๐„ ๐’๐ˆ๐†๐๐€๐“๐”๐‘๐„ ๐ƒ๐€๐๐ˆ๐‘

  • Number cc719

  • Type Workshop

  • Material Wool

  • Style Pictorial

  • Origin Kashan

  • Size 205 x 131

  • Age 1910

Story

Now this is a revelation.

This probably is the oldest masterpiece from the hand and mind of the legendary Grand Master Mohammad Dabir Al Sanaye of Kashan. His trademark ultra soft Kork Manchester lambswool is at play here, as are the sweet and appealing dye materials. We see here an Omar Khayyam style romantic scene. I have seen 4 other carpets by Dabir with similar depictions, 2 of them having been in my possession 10 years ago. However none of these come close to the present masterpiece.

It is far finer in weave, softer in coloration, and richer overall. It is by far older than the rest. Zoom in (hit me up for closeups please) to admire the elegant detailing on the costumes, the dreaminess of the flowering trees, and the realism of the birds.

Dabir's own commitment to a superior form of excellence while weaving this masterpiece is evidenced by his incorporation of two distinct signatures within. It is to my knowledge the sole carpet he ever created that bears two such signatures of his. The one below is his standard typescript one. The one above, however, is extremely elaborate and artistic. I have never seen such calligraphy on his ล“uvres d'art.

There also is a famous couplet of medieval Persian poetry:

ุนู† ู‚ุฑูŠุจ ุงุณุช ูƒู‡ ุงุฒ ู…ุง ุงุซุฑูŠ ุจุงู‚ูŠ ู†ูŠุณุช
ุฌุงู… ุจุดูƒุณุชู‡ ูˆ ู…ูŠ ุฑูŠุฎุชู‡ ูˆ ุณุงู‚ูŠ ู†ูŠุณุช

๐™‘๐™š๐™ง๐™ฎ ๐™จ๐™ค๐™ค๐™ฃ ๐™ฃ๐™ค๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™ค๐™› ๐™ช๐™จ ๐™ฌ๐™ž๐™ก๐™ก ๐™—๐™š ๐™ก๐™š๐™›๐™ฉ
๐™๐™๐™š ๐™œ๐™ก๐™–๐™จ๐™จ ๐™ฌ๐™ž๐™ก๐™ก ๐™—๐™ง๐™š๐™–๐™  ๐™–๐™ฃ๐™™ ๐™จ๐™ฅ๐™ž๐™ก๐™ก, ๐™–๐™ฃ๐™™ ๐™ฉ๐™๐™š ๐™Ž๐™–๐™ฆ๐™ž ๐™ฌ๐™ž๐™ก๐™ก ๐™—๐™š ๐™œ๐™ค๐™ฃ๐™š

This describes the transient nature of the human condition and thus encourages the reader (or viewer) to indulge in a life of satisfaction and joy. Enjoy it while you can.

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You can't only be a customer of Hadi Maktabi. While his main purpose is rug dealing, he starts with story telling and ends with history selling. That's what I call high-end art curating and closing it all with an entertaining friendship. George El Hani, CEO Levica, Lebanon ๐Ÿ‡ฑ๐Ÿ‡ง

 

 

The idea of purchasing valuable rugs and other artwork online from an overseas seller is daunting for several reasons, not least of which is the fact that, not being able to examine and feel the rug for yourself, you are never entirely certain that the origin, age or condition of the rug corresponds with the dealerโ€™s description. For me, I could never take this step unless I had absolute trust in the integrity of the dealer, and my recent experience with Hadi confirms that my faith in him was well placed. Every detail of the antique rug expertly explained by Hadi was accurate and when I finally received the actual rug, it turned out to be even more stunning than his photos depicted. F. Alsagoff, Singapore

 

Jโ€™ai fait la connaissance de Hadi lors de la prรฉparation de lโ€™exposition ยซ Lโ€™Empire des roses, chefs-dโ€™ล“uvre de lโ€™art persan du 19รจme siรจcle ยป qui a eu lieu au Louvre-Lens en 2018 et ร  laquelle il a participรฉ par le prรชt de tapis exceptionnels. Jโ€™avais alors รฉtรฉ impressionnรฉe par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marquรฉ le dรฉbut dโ€™une collaboration riche et fructueuse. Elle a notamment permis au musรฉe du quai Branly-Jacques Chirac de voir ses collections iraniennes sโ€™enrichir de plusieurs tapis et tentures dont certains nโ€™ont pas leur รฉquivalent dans les musรฉes occidentaux. Ce que jโ€™apprรฉcie chez Hadi ? Cโ€™est son professionnalisme, son dynamisme et lโ€™engouement quโ€™il a pour son mรฉtier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France ๐Ÿ‡ซ๐Ÿ‡ท

 

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