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๐˜ผ๐™‰ ๐™„๐™ˆ๐™‹๐™Š๐™๐™๐˜ผ๐™‰๐™ ๐™‚๐™๐™€๐™€๐™† ๐™Š๐™๐™๐™ƒ๐™Š๐˜ฟ๐™Š๐™“ ๐™‡๐™„๐™๐™๐™๐™‚๐™„๐˜พ๐˜ผ๐™‡ ๐™๐™๐™‚, ๐™Ž๐™„๐™‚๐™‰๐™€๐˜ฟ & ๐˜ฟ๐˜ผ๐™๐™€๐˜ฟ

๐˜ผ๐™‰ ๐™„๐™ˆ๐™‹๐™Š๐™๐™๐˜ผ๐™‰๐™ ๐™‚๐™๐™€๐™€๐™† ๐™Š๐™๐™๐™ƒ๐™Š๐˜ฟ๐™Š๐™“ ๐™‡๐™„๐™๐™๐™๐™‚๐™„๐˜พ๐˜ผ๐™‡ ๐™๐™๐™‚, ๐™Ž๐™„๐™‚๐™‰๐™€๐˜ฟ & ๐˜ฟ๐˜ผ๐™๐™€๐˜ฟ

  • Number 1908

  • Material Wool

  • Style Prayer Rug

  • Type Anatolian

  • Origin Anatolian

  • Size 144 x 98

  • Age 1910

Story

This is a unique & brilliant Ottoman-era religious carpet woven by the native Greek community of Cappadocia in Asia Minor in 1910, the descendants of the ancient Hellenic & Byzantine peoples who had lived there for over 4,000 years.

The field is dominated by the double-headed eagle bearing two swords โš”๏ธ in its talons, the famous emblem of the Byzantine emperors and, subsequently, the Greek Orthodox Patriarch of Constantinople. It represented the Emperorโ€™s dual suzerainty over the temporal and spiritual worlds or, alternatively, the eastern and western spheres of Christianity. In short, power. The eagle ๐Ÿฆ… is topped by an ecumenical crown ๐Ÿ‘‘ with cross, representing the emperor (and after 1453, the GO Patriarch) as Christโ€™s vicar on earth.

The roundel bears a Greek inscription which reads ๐™ƒ๐™ค๐™ก๐™ฎ ๐˜พ๐™๐™ช๐™ง๐™˜๐™ ๐™Š๐™› ๐˜ผ๐™ฃ๐™ฉ๐™๐™ค๐™ช๐™ฅ๐™ค๐™ก๐™ž. The top end of the rug has a further inscription ฮคฮ‘ ฮ ฮ‘ฮฮคฮ‘ ฮšฮ‘ฮ™ ฮ•ฮ ฮ ฮ‘ฮฃฮ™ ฮงฮกฮ™ฮฃฮคฮŸฮฃ: Everywhere and in everything lives Christ. Further writings appear in the lower part.

The golden saffron field is very eye catching and reflects medieval Byzantine imperial and ecclesiastical banners, which you may still see today outside churches in Greece and elsewhere in the Green Orthodox & Greek Catholic world. The rug has melodious purple and sweet green tones which do not show so well in these hurried photos I took indoors (rain etc). The flower garland above the crown and the blossoming vines above that are delightful.

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What our customers say!

You can't only be a customer of Hadi Maktabi. While his main purpose is rug dealing, he starts with story telling and ends with history selling. That's what I call high-end art curating and closing it all with an entertaining friendship. George El Hani, CEO Levica, Lebanon ๐Ÿ‡ฑ๐Ÿ‡ง

 

 

To me personally there is no surprise, event or frankly anything that gets me more excited than the purchase of a treasured piece of understated artwork such as that of a proper vintage/antique carpet. The sourcing, grading and authentication of these pieces is no small task but is of the highest importance. Through the respected dealer Hadi Maktabi all that is guaranteed, and rest assured the one thing I can guarantee personally as a client is a first class service from the initial selection process till it gets delivered right to your door step. It was an undeniably special experience, with hundreds of carpets to choose from, will definitely be visiting again. Thank you dear Hadi. Habeeb Al Monawer, Kuwait ๐Ÿ‡ฐ๐Ÿ‡ผ

 

Jโ€™ai fait la connaissance de Hadi lors de la prรฉparation de lโ€™exposition ยซ Lโ€™Empire des roses, chefs-dโ€™ล“uvre de lโ€™art persan du 19รจme siรจcle ยป qui a eu lieu au Louvre-Lens en 2018 et ร  laquelle il a participรฉ par le prรชt de tapis exceptionnels. Jโ€™avais alors รฉtรฉ impressionnรฉe par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marquรฉ le dรฉbut dโ€™une collaboration riche et fructueuse. Elle a notamment permis au musรฉe du quai Branly-Jacques Chirac de voir ses collections iraniennes sโ€™enrichir de plusieurs tapis et tentures dont certains nโ€™ont pas leur รฉquivalent dans les musรฉes occidentaux. Ce que jโ€™apprรฉcie chez Hadi ? Cโ€™est son professionnalisme, son dynamisme et lโ€™engouement quโ€™il a pour son mรฉtier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France ๐Ÿ‡ซ๐Ÿ‡ท

 

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