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The Last Safavid Garden Carpet

The Last Safavid Garden Carpet

  • Number pon32

  • Type Workshop

  • Origin Isfahan

  • Material Wool

  • Style Tree

  • Size 213 x 163

  • Age 1128

Story

Define a museum piece. This is one of only 4 known Safavid Garden Carpets topped with a mihrab niche making them prayer rugs in turn. Two have been published in 20th century literature but their whereabouts are unknown. The fourth is in the collection of the Imam Reza Shrine in Mashhad. Quite a pedigree. The carpet has an uncommon earthy toned complexion and its field is divided into four roughly equal areas by two bisecting channels of water running perpendicularly and meeting at a basin. Fish swim through the water while an assortment of peacocks, hoopoes and lovebirds perch on the trees. The influence of Safavid miniature painting, namely the Isfahan school associated with Shah Abbas II and Shah Sulayman is evident. It is dated 1128 equivalent to 1716, thereby making this the last dated Safavid carpet we know of. And the only yellow one.

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Purchasing carpets from Hadi Maktabi was the epitome of professionalism and joy. Hadi is an expert curator, purveyor, historian and story teller. His passion, knowledge, professionalism and expertise are evident every step of the way. With a wide range of choices and prices, prompt service, and fast sipping, we had our carpets in Sydney in a matter of days. The ultimate flying carpet experience! Zeina Tebbutt, Sidney, Australia 🇦🇺

 

 

I first met Dr. Maktabi as a lecturer on carpet history and was captivated by his passion for the subject. Only later I knew him as a dealer, though even in our financial transactions, Hadi has been a gentle guide and friend. He has understood my taste and interests and made wonderful suggestions, but never in a pushy way. That is to say I have enjoyed working with him on several levels and wish to continue our excellent relations and dealings far into the future. A. Harvey Pincis, formerly Dar Al Athar Al Islamiyyah Museum (Kuwait), Latvia 🇱🇻

 

The idea of purchasing valuable rugs and other artwork online from an overseas seller is daunting for several reasons, not least of which is the fact that, not being able to examine and feel the rug for yourself, you are never entirely certain that the origin, age or condition of the rug corresponds with the dealer’s description. For me, I could never take this step unless I had absolute trust in the integrity of the dealer, and my recent experience with Hadi confirms that my faith in him was well placed. Every detail of the antique rug expertly explained by Hadi was accurate and when I finally received the actual rug, it turned out to be even more stunning than his photos depicted. F. Alsagoff, Singapore

 

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