Number 2119
Type Workshop
Material Wool
Style Medallion
Origin Kashan
Size 456 x 321
Age 1920
ππ¨π²ππ₯ πππ ππ’π π§ππ ππππ’π« πππ πππ₯πππ πππ«π©ππ ππ’ππ‘ ππ«π¨π°π§ & ππ¨π²ππ₯ ππ’π¨π§
An intact masterpiece commissioned by the royal palace in the early 1900s from the workshop of the legendary Grand Master Mohammad Dabir Al Sanaye.
The beautiful symmetry of the abstract field is broken by the royal Persian crown of the Shah at the top end. The crown, amazingly, contains another crown as well as the Shir o Khorshid, the royal Persian emblem of Lion & Sun π π¦ π
Such (very rare) carpets are called Darbari Ψ―Ψ±Ψ¨Ψ§Ψ±Ϋ from the word Darbar meaning royal court. It came into English via the Raj in India as durbar. The Shahβs palace ordered it and thus the artist (Dabir) had the privilege of weaving the royal crown inside as a mark of royal approval & belonging.
Dabir was a very clever artist. This is a unique creation of his, I havenβt seen any at all similar. He created a magnificent negative space with the burgundy red and brought the massive field to life with a wonderful vision of roses. An eye catching medallion is formed from sweet floral forms and is complemented by 4 symmetric flowery dreams in the corners. None of these floral elements has any contours or silhouettes: entirely free from any lines or constraints. Pure genius.
The borders offer more flowery delights, that balance the abstract starkness of the Bordeaux field. Very unusually, the border is on Ivory creme tone. Another first.
This is perfection. This is where the βred carpetβ got its name from. This is what palace quality. This is genius.
Itβs also the largest signed Dabir I have ever seen. The quality of wool and weave are exceptional.
456 x 321
Early 1900s
Super collectible. Only serious requests please!
A once in a lifetime opportunity π
The idea of purchasing valuable rugs and other artwork online from an overseas seller is daunting for several reasons, not least of which is the fact that, not being able to examine and feel the rug for yourself, you are never entirely certain that the origin, age or condition of the rug corresponds with the dealerβs description. For me, I could never take this step unless I had absolute trust in the integrity of the dealer, and my recent experience with Hadi confirms that my faith in him was well placed. Every detail of the antique rug expertly explained by Hadi was accurate and when I finally received the actual rug, it turned out to be even more stunning than his photos depicted. F. Alsagoff, Singapore
You can't only be a customer of Hadi Maktabi. While his main purpose is rug dealing, he starts with story telling and ends with history selling. That's what I call high-end art curating and closing it all with an entertaining friendship. George El Hani, CEO Levica, Lebanon π±π§
I first met Dr. Maktabi as a lecturer on carpet history and was captivated by his passion for the subject. Only later I knew him as a dealer, though even in our financial transactions, Hadi has been a gentle guide and friend. He has understood my taste and interests and made wonderful suggestions, but never in a pushy way. That is to say I have enjoyed working with him on several levels and wish to continue our excellent relations and dealings far into the future. A. Harvey Pincis, formerly Dar Al Athar Al Islamiyyah Museum (Kuwait), Latvia π±π»
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